Excerpts from my favorite T.S. Eliot poems

Excerpts from my favorite T.S. Eliot poems

A quick intro to the realm of exceptional poems from the late, great T.S. Eliot.

POLWingedHussar

When I was in middle school, my eighth grade English teacher Mr. Ortman read a poem aloud to the class called The Love Song of J. Alfred Prufrock by T.S. Eliot. At the time, I was just discovering poetry as a creative outlet, and found myself completely enraptured by the poem.

Previously, my knowledge of poetry extended to the works of Edgar Allan Poe, and not much beyond that outside of poetry collection books. Discovering T.S. Eliot expanded my perception of what poetry could be, not only in how a wide range of emotions can be expressed, but also in terms of form, structure, and formatting.

Having had Eliot shared with me, I often feel compelled to similarly share his work with others. I hope these will resonate with you as they did with me. Even if they don’t, I feel like a quick intro to the realm of T.S. Eliot is never a bad thing. So with that being said, here are some excerpts from my favorite T.S. Eliot poems, along with links to the poems in full if you’d like to read through them yourself. 

Excerpts from my favorite T.S. Eliot poems

The Love Song of J. Alfred Prufrock

"And indeed there will be time
For the yellow smoke that slides along the street,
Rubbing its back upon the window-panes;
There will be time, there will be time
To prepare a face to meet the faces that you meet;
There will be time to murder and create,
And time for all the works and days of hands
That lift and drop a question on your plate;
Time for you and time for me,
And time yet for a hundred indecisions,
And for a hundred visions and revisions,
Before the taking of a toast and tea.

In the room the women come and go
Talking of Michelangelo.

And indeed there will be time
To wonder, “Do I dare?” and, “Do I dare?”
Time to turn back and descend the stair,
With a bald spot in the middle of my hair —
(They will say: “How his hair is growing thin!”)
My morning coat, my collar mounting firmly to the chin,
My necktie rich and modest, but asserted by a simple pin —
(They will say: “But how his arms and legs are thin!”)
Do I dare
Disturb the universe?
In a minute there is time
For decisions and revisions which a minute will reverse."

The Waste Land

"What are the roots that clutch, what branches grow
Out of this stony rubbish? Son of man,
You cannot say, or guess, for you know only
A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water. Only
There is shadow under this red rock,
(Come in under the shadow of this red rock),
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
I will show you fear in a handful of dust."

Rhapsody on a Windy Night

"Twelve o'clock.
Along the reaches of the street
Held in a lunar synthesis,
Whispering lunar incantations
Dissolve the floors of memory
And all its clear relations,
Its divisions and precisions,
Every street lamp that I pass
Beats like a fatalistic drum,
And through the spaces of the dark
Midnight shakes the memory
As a madman shakes a dead geranium."

Portrait of a Lady

"Well! and what if she should die some afternoon,
Afternoon grey and smoky, evening yellow and rose;
Should die and leave me sitting pen in hand
With the smoke coming down above the housetops;
Doubtful, for a while
Not knowing what to feel or if I understand
Or whether wise or foolish, tardy or too soon ...
Would she not have the advantage, after all?
This music is successful with a 'dying fall'
Now that we talk of dying —
And should I have the right to smile?"

The Hollow Men

"We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when
We whisper together
Are quiet and meaningless
As wind in dry grass
Or rats' feet over broken glass
In our dry cellar

Shape without form, shade without colour,
Paralysed force, gesture without motion;

Those who have crossed
With direct eyes, to death's other Kingdom
Remember us-if at all-not as lost
Violent souls, but only
As the hollow men
The stuffed men." 

Journey of the Magi

"All this was a long time ago, I remember,
And I would do it again, but set down
This set down
This: were we led all that way for
Birth or Death? There was a Birth, certainly
We had evidence and no doubt. I had seen birth and death,
But had thought they were different; this Birth was
Hard and bitter agony for us, like Death, our death.
We returned to our places, these Kingdoms,
But no longer at ease here, in the old dispensation,
With an alien people clutching their gods.
I should be glad of another death."

From The Chatty
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