Evening Reading
by Jeff Mattas, Feb 09, 2011 5:00pm PSTWell, ladies and gents, it would seem as though the heyday of plastic instruments (and their associated games) might finally be appearing in our rear-view mirror. It was bound to happen, eventually.
The beginning of the end, so to speak, seemed to be when Harmonix -- the developer that founded both Guitar Hero and Rock Band franchises -- was put up on the chopping block by Viacom late last year. Harmonix elected to, in effect, purchase itself, and remains an independent entity that continues to churn out Rock Band DLC at a regular clip.
Couple that with today's news that Activision is not only canceling the 2011 installment of the Guitar Hero franchise (which it's owned since 2006), but is pursuing the "discontinuation of the development of all music-based games," due to "anticipation of a continuing weak environment for casual and music-based games," and the trend couldn't be more obvious.
Don't get me wrong. I still fire up Rock Band on a semi-regular basis, and it still does an exceptional job of making someone who can't play any real instruments (like myself) feel like a rock star. Granted, it's been three years since I've purchased a plastic guitar. If peripheral sales are built into your expected profit margin, factors like a plateauing or declining user-base and making an increasingly iterative product make it harder to meet those numbers each year.
And, in case you missed it:
Criterion staff assisting Ghost Games with Need For Speed: Rivals
The Bureau: XCOM Declassified first DLC is Xbox-exclusive
Hotline Miami 2 preview: curtain call
Warning: PS3 firmware 4.45 crashing consoles
Dragon's Prophet preview: how to catch your dragon
Roger Ebert blogs about MaxiVision, which is something I've heard him talk about before. I think I understand what it is based on the description, but maybe I don't. Has anyone had first-hand experience with it? Is it good? Bad? The future? A gimmick of its own? Is Ebert championing a lame pet cause or a potential game-changer?
http://blogs.suntimes.com/ebert/2011/01/more_than_ever_the_future_of_f.html
Thread Truncated. Click to see all 33 replies.
However, there are the ones where every frame is like a giant moving painting, with extreme detail to color, composition, focus, motion. That seems to be a dying art, sad to say. Tarkovsky is a big one for me in this catagory - the films just make an entirely different sense when seen on a full-sized screen in a pitch black theater.
You must be logged in to post.